The Chinese custom of dragon worship

Date of publication:2012-12   Press: Heilongjiang Education Publishing House   Author:Ji Chengming   Pages:275   Words:220000  

This book is to explore the basic problems of the custom of dragon worship, dealt with folklore, totem theory, is based on more than a dozen of them have been formally published monograph writing and become, its main ideasAnd academic value have been academic peer recognition, and has produced a certain social repercussions.
Author brief introduction

Ji fame, male, born in 1963 November. Hunan Liuyang people. Doctor of history. Now a professor at the Xiangtan University School of philosophy and history and culture, master's tutor. Mainly engaged in Chinese folk history and Chinese salt industry history research, published "Chinese custom of dragon worship" (Tianjin ancient books publishing house, 2002 July), "the study of salt producing places" (Bashu 2009 published in June), and published more than 100 papers. Presided over the national social science fund projects of more than 10. The achievements have won the national, provincial and municipal incentives. "Dragon" magazine consultant. The executive director of the professional committee of China Society of history of salt industry history of business. Director of the Hunan Shen Nong research association. Special researcher of Chinese Salt Cultural Research center.
Catalogue of books

The first chapter is the introduction of

second the first study section of
A, the worship of Guan Yulong
two, about the origin of the dragon shape evolution of
three, the worship of Guan Yulong cultural meaning of
four, on ethnic customs of dragon worship
five, about Long Chongbai's property of
six, the worship of Guan Yulong and Chinese political
seven, the worship of Guan Yulong and Buddhism on the Chinese
third Festival Dragon customs theory and method of
A, theory
fourth section on significance of
second chapter custom content
the first day Han the customs of dragon worship
a long, the morphologies of
two, dragon deity
(a) scale insects of long or 100 insects of long
(two) at
(three) into
(four) in the
(five) < br >
three, the symbolic meaning of the evil dragon (a) the dragon as the auspicious symbol
(two) of the dragon as a symbol of imperial tyranny of
(three) of the dragon as a symbol of national culture.
five types of dragons, dragon head.
(a) regional characteristics of
(two) custom content
(three) culture Implications of
(four) Festival origin
second ethnic customs of dragon worship.
A, ethnic customs of dragon worship in ancient
two, the ancient North Hu, South, southwest, Mongolia and Manchu customs of dragon worship
three, modern ethnic customs of dragon worship
third chapter the origin of Long Chongbai
the first day long prototype
second day Han taboo custom
A, Han taboo customs has a long history.
two, Han taboo customs performance of
three, special case of snake worship custom
Third Viet snake worship custom
A, more family a snake worship custom
two, more people around to different snake worship
three, the family of snake worship and totem worship custom
four, the family of snake worship custom without development as the custom of dragon worship
Five, the family of snake worship custom causes
fourth and Long Chongbai produced
the fourth chapter of Long Chongbai's evolution of
the first festival dragon shaped the evolution of
A, Neolithic
three, Xia Shangzhou period of Qin and Han Dynasty to the five generation
five after the Song Dynasty, the nine sons of dragon
second Ma legend Festival cultural meanings.
A, 100 insects of long
three, water protection god.
four and auspicious symbol
six authoritarian imperial symbol, a symbol of national culture.
fifth chapter Chinese dragon customs
the first western countries to dragon explaining the
second Western dragon custom
A, the dragon as a sinister Basilisk
two, the dragon as a skill extraordinary Basilisk
three, the dragon as a violent and evil Basilisk
five, the dragon dragon pattern as
third day war marked Chinese dragon customs
A, the same
(1) the same prototype
(two) causes almost the same
(three) some feature of the same or similar
(four) some ability to the same
(five) are trying to shape the the dragon to scare other things
two, the difference between
(a) properties of different
(two) generated in different ways.
(three) some morphology characteristics of different
(four) for the Dragon types of imagination is not the same as
(five) some skills in different
(six By the time) and to scare the objects with different
(seven) cultural meanings of different
Fourth conclusions about the Dragon translation
fifth Hungarian customs of dragon worship
sixth chapter the customs of dragon worship the nature, role and status of
the first section of the Long Chongbai nature of
a Long Chongbai is a fetish worship
two, Long Chongbai's original religious characteristics of
second festival customs of dragon worship and the role of the
A, help the
three aesthetic effect, the authoritative role
five, coagulation and encouraging
third festival customs of dragon worship position
A, the dragon is the human imagination masterpiece
two, the dragon worship is a kind of important folk belief
three, the custom of dragon worship is a kind of outstanding cultural heritage
A, main reference catalog
(a) data type
(two) on the
two, published in the directory
four, color chart catalog black-and-white illustrations directory
the first edition postscript (excerpt)
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