柯杨, Wu Wen written "Taomin flower and the northwest ethnic folk culture research" is divided into two parts, the first is 柯杨's "Taomin Huaer research", the study of northwest folk culture as the Wu Wen's "first". Part one consists of 11 papers, including flowers, flowers, flowers traceability program flow region and the rhythm, the flowers of singers and audience, the flowers in the sacrificial songs and representative Hui flowers, flowers and farm life, Anhui ancient customs in the Tao River Basin remains, flowers: Retrospect and prospect flowers, and research in foreign countries, can be said to draw the outline of the northwest flower pedigree, enabling readers to appreciate and understand in the northwest of this unique folk art. The essays in historical study and fieldwork complement each other, position is precise, and say, convincing. The part also consists of 11 papers, mainly relates to the northwest folk religious beliefs, myths and legends, folk tales and customs, the author from the perspective of cultural anthropology to explore the contemplation, fantasy and religious and cultural prototype of primitive mankind, paper deep wide, fully demonstrated the theoretical knowledge of the.
the Taomin Huaer research
flowers flowers back flow region and the classical
Lotus Hill flowers program on
the audience participation and folk singer -- Taomin Huaer duet to environmental factors in the
Taomin Huaer and farm life
Taomin Huaer of sacrificial songs
representative Hui flowers - "out the song"
Xinjiang Hui traditional flowers comment on
Anhui ancient customs in Taohe River in Gansu remains
the flowers on the review and Prospect of
flowers research in foreign
the northwest ethnic folk culture of
Qin long religious culture the basic structure of
Deli compatible social mode: on the queen mother of the West's political ideal and its influence on the later generations of
minority social and historical survey data: wonderful magic the religious prototype of
Gelsall: from the "Gelsall tales" primitive religion "Gelsall's
Yugur mythology gene" in the folk inheritance in
Yugur "Gelsall story" connotation and the construction of the universe to prototype
- the creation myths about
the yoghur literature for the history of oral and correction to
Yugur folk narrative poem in the national self consciousness -- a commentary on "Yao almost come from west, 哈卓"
Dongxiang frog fine story of
strokes "survey Yang's husband" and research
The copyright page: Zhang Yaxiong's "flowers" on the Qinghai flower tune said: "the 'GA Shou to' be 'Dongxia make' leader. The creation of this order is called a 'just let Cao' a female, so that this also known as' just let Cao ',' that 'for the time, long life meaning, it is commonly known as the' GA life make ', GA to longevity benefits in the tone of the wonderful,' make 'a language. That is not easy to write, so the que." Meng Zhu in his "Qinghai flowers theory" also said: "the source of all the children, is a very romantic and touching story. Like some adjustable by Dong Xia Ling, also known as the native son, is said to a Tibetan kings daughter, because of missing a big eyes, black eyebrows pretty boy, always walk melancholy in the forest, or cry singing in the green slope, this tone gradually formed a tune, down. Called the East gap to." The two section of the text although it quite different, with the legend, but Tibetan singer also participated in Hehuang flower "to" create this point, it is common and important, and credible. Zhang Yaxiong once said: "the so-called flowers, in fact equal to Chinese Tibetan songs, is close to the Mongolian and Tibetan tribes created, imitating the hidden song syllables, Chinese folk songs." This argument is not entirely accurate, but it has some reasonable factors. Li Anzhai wrote in his "number of Sichuan and Gansu county border distribution overview" in an article: "the county (Lintan Ke Yangzhu) residents as a result of contact with each other very for a long time, the Han, Tibetan dyeing dyeing Tibetan Chinese phenomenon rather. A new ray Temple East five years purple crab hill, Kangxi thirty years (1691) built seventeen years Guangxu (1891) rebuilt. Lunar June 24th event, old men and women gathered to sing love songs, nocturnal complex to the city street and sing tone as Tibetan bells, also non young men and women, but the public singing by Tibetans undoubtedly." The emphasis is on the "open sing" this form by influence of Tibetan customs, but "Han dyeing reservoir, reservoir dyeing finished" two sentences, weigh the pros and cons, also must contain the mutual influence of lyrics, tune. In addition, the flowers of the music, may be more or less the area of Xinjiang national minority folk song, and even affect the Central Asian folk songs (this is because Tao, Min River, river, Huangshui area of Sala, Hui nationality from the West.). Zhang Yaxiong's "flowers" in reporting back Ge Li Qia talking flowers "high and long tones" is quite similar to sing in Kashi to Yili channel between the Uygur Porter Osaka. Yang Xianyi in 1947 published "Zero Ink NEW Jian" an article in his book entitled "folk preserved Tang Kabuki Xiliang" of the child, which spoke of "Xi Liang music is a music, western music and Chinese music into the". I think, the Tang Dynasty in Hexi area of Gansu since the Kabuki Xiliang, it has a certain influence on the later development of northwest folk song will.
"Taomin flower and the northwest ethnic folk culture research", published by the people's publishing house.
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