Sandy Style.

Date of publication:2010-2   Press: Lu Xin Chinese Statistics Press (2010-02)   Author:Lu Xin   Pages:318  

Lu Xin, Jiangsu Qidong people. A member of Jiangsu Province in East China, the Linguistic Society of China Rhetoric Society, University degree. Engaged in the work of education, propaganda, local history, local records research etc.. Has been editor in chief of Tourism Specialty "occupation" (middle school Chinese textbook Chinese Literature Press) "the middle-school student etiquette reader" (hundreds of Shanghai Press) "sincere advice to parents" (Jiangsu Education Press) "have a healthy mind" (East China University of Science and Technology Press) and many other books, he published prose anthology "to teach the sea bead probe" (East China University of Science and Technology Press), "Sandy" style book gathers the author for many years on sandy land folk cultural achievements.
Author brief introduction

The copyright page: illustration: it is said that, this "Lu Fei cloth" for the invention of a man named cotton three one. Legend has it that the cotton three Niang to sentence one, I do not know what was the name of one's daughter. She was smart, have clever hands and good sense. Three Niang at the age of 15, his father died of illness in Jurong plague. Because no money to bury father, three Niang is sold to a local squire concubine, suffered insult. Chongzhen seventeen years Jia Shen, Li Zicheng attacks the Kyoto, flash. Jurong war, three Niang gone out of the fire pit, into the red lady's. Dashun Yongchang in May, Li Bingbai fled West, three Niang with dozens of the obstacle to their arrest, in Lu Sibai pond. When white pond beach suspending, overgrown with wormwood. Fleeing the habitat wasteland, Da Kosaku, grain cotton, fishing salt, subsistence. Three Niang see the local people will be rough sand reed rolling flattening, split evenly and knitting bulrush, reed, and repeatedly by Polish transplanted loom, weaving out "blue and white grains, thatched, texture thick, close tolerance of its" cloth, local sand people called flower cloth "Lu fei". Three Niang will display loom field head, hand weaving techniques to dictate. At that time, white pond "self spinning weaving, household habit is sunny". "Bow half night playing the clouds loom fabric, day Fu Qin", spinning the cloth dyeing, sizing, wearing brown inlay. Loom, and echoed across, Haloxylon ammodendron, both day and night, chirp. The old man childish, skirt, trousers, shirt Lapel do with thatched cloth fabric. Qing Junji fifteen years, piracy white pond, four, plunge the people into misery and suffering. Three Niang suffer disaster, die an untimely on. Tsung Chang San Niang, local sand people financing in ancient Da Zhen Dong Jian "cotton three Niang Temple" a. Three Niang is long speech died, although "Lu Fei cloth" in the coastal generation. Since twentieth Century, "Lu Fei cloth" waxed and waned. With the development of national industry and Commerce in China, which is composed of family self-sufficiency to the market as commodity transaction. "Lu Fei calico cloth Zhuang" by acquisition, batch sold on both sides of the Changjiang River, both sides of the canal, but once occupied the Northeast market, and exported to Southeast asia. In the past, the sand planting cotton "Purple stalk chicken feet cotton" and "green stalk chicken feet cotton", because the opening is pale purple flowers, so people called "of" sand "flower". "The flower" yield is not high but the quality is good, which laid the foundation for the "Lu Fei knitting cloth". In 1956, Nantong on the outskirts of the Ming Dynasty tomb unearthed a number of cotton textile, visible sand pomp. After the liberation of peasants, sandy lands, and put on "Dai Zi No. 15" high cotton, in the country to create a "jinshanyinshan a burden" myth, cotton has high yield, Premier Zhou Enlai is praise.
Catalogue of books

Sequence always accent a sandy historical and cultural memory article series Baiye prism sand people interesting names Yinhua blossoming dress "sand sand pulp made of cotton cloth Lu Fei head" blue calico Luhua boots sand eating old liquor salt powdered soup corn and broken rice rice fried cold beans melons sand Lu "Cang Kou" and "four Ting Zhai Gou" "dragon hall" and "mud stove" kitchen and real "cold pool of tile roofed house" and "Bu Ji" wheelbarrow push fence, thatched "step on the belly" to do tile elastic quilt wadding car spindle old scale lamp cylinder in Shau Kei, basket basket grass nest, the ride and the horse is a holding cage dryer furniture, mud crab and crab scratch "fishnet to Lai Tuan" fried salt sea, running pick fresh on Town Street shops second series sand language ancient Wu "living fossils" of Chinese idioms idioms appellation taboo Folk Song Yu, "hang Wu Ji Dun" chant car water chant complained song song to sing folk story book licensing contract the legend of Yang Shengyan third series of folk custom wedding birthday wind born sandy sand burial customs with high head have the Spring Festival lunar January half summer says people touch autumn flower art guild regulations Qiqiao stove "burn through" ancestors fortune, do solution fishing custom will wine custom jump Mammon Sandlot Games attached: Saudi Qidong relics of postscript @## @ "Saudi customs recorded" main content: sand culture remains extremely rich, Jianghai blend of natural scenery, precious humanities landscape, colorful folk art, unique style accent slang, the old and the young history and culture, all of these are materialized in the sand people basic necessities of life in all aspects, passing in the sand seasonal festivals, folk culture and customs etc..
Chapter excerpt

"Style": recorded live in sand sand sand sand, commonly known as a "wave", the pronunciation, the sand people study the competition come from? This is a very interesting topic, some say, the sand people are immigrants. This is good. But belong to the sand, the dialects and customs but also a bit different. Visible, there is also a difference in the origin of the residents....... Sandy culture remains extremely rich, Jianghai blend of natural scenery, precious humanities landscape, colorful folk art, unique style accent slang, the old and the young history and culture, all of these are materialized in the sand people basic necessities of life in all aspects, the heritage of the sandy seasonal Festival, folk culture and customs...... History is the root, culture is the soul, to understand the culture of a place, should first understand the local customs of the place.
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  •   A very good book, let me understand the home of the local customs and practices. Read more cordial.

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