Guangxi ethnic musical instruments and folk custom

Date of publication:2010-7   Press: Gao Min Minzu University of China press (2010-07)   Author:Gao Min   Pages:315  
Summary

Gao Min, Professor, Guangxi Normal University Music Institute Vice President, supervisor of postgraduate. Native of Fushun City, Liaoning Province, was born in Heilongjiang Province, Jia musi. The main research direction: China traditional music, folk music. Research fields: the national music culture, research. Editor of "national music culture and art research", published "in the perspective of Anthropology of Guangxi ethnic musical instruments" ("data" copy republish, by the Guangxi Academy of Social Sciences ninth outstanding scientific research achievement award three), "abandon the flute from Qin -- a drama tune musical instrument of change track", "musical instruments, human music culture one one" sound ", try to explain the relationship between" theory "Guangxi drum and folk" more than 20 articles.
Author brief introduction

The copyright page: illustration: (two) the Maonan Nationality in April 18, 2005, it is the second time I in Maonan township. At 8 in the morning to the seat of the government of 地思恩 Maonan County town, in Maonan Autonomous County Cultural Relic Administration Center saw three years ago as we do the wizard Qin deputy curator. This time let him do guide took us to the Nan Xiang Tang eight village visit Maonan Shigong Tan Shengci about Maonan Xiang drum and the related folk. Tan ", 63 years old, have clever hands and good sense and culture. Is the famous Tang village of eight. The old man versatile, calligraphy, carving, wood drums, dance dance are very proficient in the face. Home a "whole book votive ceremony", all of their own copy by hand, about a dozen of the. According to the elderly, can be used to recite. Maonan is responsible for worship ritual, a master and Daogong points; and the red and yellow and the other party. The red and yellow, Daogong do feast. Red feast rituals to do "vow", move, exorcism, Huang Yan to the funeral. The red Yan hop wood face dance (Nuo) wearing masks, Huang Yan does not wear a mask. Red feast as Taoism, Buddhism and is regarded as the yellow. Yellow road public funeral feast before avoiding meat, afterwards does not avoid. They each have a group of people, a transmission system, which belongs to the semi occupation clergy. The ritual scale more than 10 people an altar, at least one or two people an altar. Master or Daogong dispersion lived in their own villages, there are activities convened, a loose "master class". Its function is to host rang disaster blessing or turn undead. Tan teacher princess to be engaged in red and religious activities, such as votive ceremony for home. (three) would also like to dance "would also like to dance", Maonan called "fertilizer", a total of more than a dozen dances (according to the ceremony length can increase or decrease the dance paragraph). "Would also like to dance" is a ritual dance, in the altar set, please God ceremony necessary procedures, then the public performances. The actual is "playing God, gods in Xiang (drum drum, drum) under the guidance of the rhythm, a symbol of being invited to the world. The main content of music and dance is any vow ceremony rang disaster blessing, bless family prosperity. Family expectations through sacrifice ceremony can get progenitor God bless, also expressed gratitude to the ancestors of god.
Catalogue of books

The origin and the train of thought, two, Guangxi ethnic musical instruments and related ritual music and dance culture three, the theoretical basis and method four, the process of investigation and study five, study on the structure and the purpose of the first chapter in Guangxi unearthed relics feature instrument section copper drum is a drum type, two, Guangxi Tonggu archaeological the second section a bronze bell two, bell, Yong Zhongsan, Yang Jiao Zhong third coloratura drum section fourth luobowan unearthed musical instruments, musical instruments in the tomb were placed two, owner of the tomb identity fifth section and instruments related earth relics, copper basin instruments two, three bronze mirrors, musicians musicians diagram the second chapter of Guangxi ethnic musical instruments in the first spring musical instruments, musical instruments -- a Jew's harp two bedside Yao, Miao Kouxian instruments -- GA slurry second drums, drum two, three, third day long Ni drum, Lusheng Sheng instrument a two, mountain drum section fourth whistle instrument category A, pull the horn two, wave, fifth silk musical instrument, Lyra, down three, two, four and five, Miao Dong pipa, has sixth arch instruments, a gourd Hu two, Hu three, cattle soil Angle Hu four, Niu Tuiqin...... The second chapter of Guangxi ethnic musical instruments in the third chapter of Guangxi ethnic musical instruments and folk fourth chapter of Guangxi ethnic musical instruments sacrificial dance field pursuit fifth chapter of Guangxi ethnic musical instruments on the humanism of postscript @##@ references "Guangxi ethnic musical instruments and folk" introduced in the China traditional music, music, art, drama, playing the main form of music instruments acoustic interaction plays a vital role in. The main musical tune named instruments are Bangzi opera, Hu Qinqiang, chord plate cavity, liuqin. Opera tune features from the main instrument. Such as Kunqu Qudi, Bangzi opera Bangdi, pihuang cavity Hu Qin, Pingju opera Gaoqiang Banhu fiddle, percussion, string plate cavity erhu, Banhu, Liuqin opera Liu Yeqin. The formation of folk art in the main instrument also influences the rap characteristics. Such as Jingyun Dagu Sanxian, pipa, Henan Tanci Pendant 坠胡 etc.. Visible, a cavity formed and established its main instrument has a very close relationship, however the difference between each tune is regional, and formed a unique local characteristics combined with the local language and tone and music. Adapt the characteristics of the instrument as the main instrument, language, music, musical instruments three constitute an indivisible whole, forming and other tunes to distinguish characteristics. So some tune main instrument, it represents the acoustic characteristics.
Chapter excerpt

"Guangxi ethnic musical instruments and folk" is published by Minzu University of China press.
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