Chinese culture and Chinese City

Date of publication:2004-09-01   Press: Hubei Education Publishing House   Author:Song Qilin   Pages:274  
Summary

China ancient ruler from the week 'to Kangxi, ruler, converted into metric, hundreds of feet of about 23 ~ 35 meters, 1000 feet when 230-350 M. And this is about the relationship between form and ancient and modern visual perception of potential difference between scientific match, which reflects the size, near and far, internal and external, fine coarse difference. Hundreds of feet is to see the face, the details of movements of distance. Contemporary architecture is according to the distance criterion, design of cinema, multi-purpose stadium, streets, squares, buildings of the external space. In hundreds of feet long, wide, high range, it is in the best viewing angle building around 450 and the best angle of about 600. From a thousand feet away watching a hundred feet building shape, angle of about 60, is the most sensitive eye macular vision, is the ultimate vision of architecture, in design of exterior space. When the angle is less than 60, the space landscape effect, especially the space effect, will obviously disappeared, tend to be open, have the sense of alienation. It still can limit the distance scale vision, profile and dynamic characteristics can be identified. In the distance, and "human". If more than the distance or the shape of this potential scale, should be corresponding increase of the proportion of shape or potential scale. This is the feng shui "poly Qiao shape to show potential" and "shape with the potential to". Feng Shui Masters long-term careful observation of experience summed up the situation in a quantitative standard, not only people with the best visual effect with relatively static based near and distance, also meet in this from a long distance to close out during the middle distance of the best visual effect. According to the dynamic, static, best visual distance and distance, short distance requirements, can be thousands of feet of space, according to 100 feet shaped as a unit, composed of a number of separate, different, multiple sets of spatial locality and the organic connections. Can skillfully organization and processing each hundred feet range, monomer and local details art style atmosphere, but also from a thousand feet wide and a whole organic groups with common specific character or spirit. This situation can show different characteristics transform levels of "perception" in the moving process, will enable people to obtain comprehensive impression of deepening and vivid, continuous aesthetic experience. These theoretical narration is closely linked with the empirical analysis. Since the subject is the study of Wang Qiheng in Qing Dynasty Mausoleum of Feng Shui, the empirical analysis of Beijing city in the Imperial Palace can be counted as a design example, the other is to study the relationship between the Qing Dongling, Xiling's potential, shape. But in the ancient city of Feng Shui study design has not been conducted case, an important reference for the research of city is geomantic pattern, to mention a few end as follows. Is the collection of Beijing Library of Qing Lei family large painting image, many are drawn by 50 feet or a hundred feet square theodolite coordinate grid, draw the geomancy situation and construction site map in the grid.......
Catalogue of books

The first chapter meeting fourth golden age section China city and culture gave birth to the second day the first golden age of third section second golden age fourth third Golden Age fifth fourth golden age of inoculation sixth section to meet the new golden age the second chapter exploration of the essence of Chinese peoples first national soul of section second Confucius contribution of third historical practice the fourth section mainly philosophy inspection section fifth the soul of the Chinese nation in the next sixth sections of the national spirit in ancient city and the construction of expression the third chapter background, the connotation of the research section of background second festival connotation and research scope of section third factors related to interaction between fourth day and fifth day city culture city culture system architecture the fourth chapter of Chinese and foreign ancient city culture of the first section of the Babylon and Linzi compared with the second day Qi in ancient Rome and Qin Xianyang are third ancient Chinese city construction characteristics chapter fifth ancient city pattern of Feng Shui first section of wind, water and Feng Shui. In the second part the city Feng Shui emphasizes harmony third feng shui elements and the city overall pattern of fourth cities micro layout and Feng Shui The sixth chapter market economy, culture, city the first section of the interaction between the three and second section of modern interactive special tortuous course third economy, city planning and Cultural Festival fourth market economy huge shock wave section fifth city culture construction climax gradually coming sixth section under the market economy, city planning and city culture, city and the seventh chapter the cultural challenge the first challenge second day cautious optimism in section third, several countermeasures in Chapter eighth Chinese city cultural development direction of the first section of the necessity and feasibility of the second section four trends in section third Chinese city cultural characteristics of the content and form of the fourth day China city culture mission the ninth chapter Chinese culture characteristics and aesthetics of the city the first day of the relationship between the two second day the ancient city of the ancient city of aesthetics third aesthetic space aesthetic philosophy of section fourth China aesthetics of Modern City fifth city space sixth section of modern city space artistic conception of landscape city the first section of tenth chapter the research background and the process of second day Tsien Hsueshen section third section fourth kinds of concepts of traceability an analysis of the concept of the fifth section Philosophy Development needs...... The eleventh chapter brilliant Regional City Chapter thirteenth chapter twelfth classical gardens in modern landscape city open space fourteenth chapter fifteenth chapter from closed to open in the cultural references @##@ letter Chinese culture and profound, whether in music and dance, poetry and painting, or valuable things passed on from the past, customs system contains remember Chinese deep emotion, reflecting their aesthetic, philosophical thinking. But in all forms of art, architectural art performance is the most comprehensive way to become an independent school, performance, performance results forceful. Architecture is the art and life space carrier, is the crystallization of technology and art, is a manifestation of cultural formation, development.
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