Art Gallery

Date of publication:2008-7   Press: Shanghai Bookstore Publishing House   Author:Wang Huangsheng editor   Pages´╝Ü281  
Preface

When the museum, art began to become an important place for art to realize its function in eighteenth Century, the museum at the time of the public institutions are facing a huge difference between the public and face today: today, whether visitors, scale, culture, target demand, code of conduct and so on are the dramatic change. Therefore, research on the gallery also corresponds to the emergence of many new topic. For example, the most fundamental changes in the relationship between art and the public, "why do people service" and "how to service" into all art must first consider the question. Today's globalization and cultural industry developed very large, is the rapid growth in tourist group, this is in the context of globalization and cultural scene, almost all of the art museums, historical sites, cultural city of be the first to bear the brunt of the tourism to become the army claim object. We have repeatedly stressed in the study of art science, related problems in theory and practice, appeared under the background of globalization, art museum and cultural industry, cultural policy and tourism economy research is more clearly reflect the urgency of their practice and finish the task. Therefore, the series "in the context of globalization of economy as the central subject of Museum", aiming to provide a helpful thought of academic resources are rapidly growing in China museum building facing the world museum culture and economic system. Professor Li Jun of China Central Academy of Fine Arts for many years engaged in research and education in the world cultural heritage, he is this series provides the French scholar Claude? Specific recommendations in three papers at the breadth and the practice thought aspect is extremely important literature. The importance of the first performance in the extremely sensitive issue consciousness: the educational function of museum can be converted to culture for the content of the commercial function? Whether can limit the application of business terms, which put the audience into the customer, the public into the market, the culture into consumption, the cultural activities into the product, the heritage into all kinds of competition in the workplace? When the structure of the social relationship and the public still regarded as sacred art experience and art to popularize, when formal and disenchantment, people really get would be what? How do the local museums and other cultural institutions to ensure the local audience's respect, avoid the old center city "tourism", authenticity protection cultural environment? In the background of globalization, cultural institutions should be how to transfer those that contribute to the cultural ideas and knowledge and realize cultural exchanges, build cultural value goal?
Summary

When the museum, art began to become an important place for art to realize its function in eighteenth Century, the museum at the time of the public institutions are facing a huge difference between the public and face today: today, whether visitors, scale, cultural elements, goals, code of conduct and so on are the dramatic change. This book is to "central issues in the context of globalization of economy, the museum" to provide the beneficial thought of academic resources are rapidly growing in China museum building facing the world museum culture and economic system.
Catalogue of books

Museum of art and the old and the new museum coil a language in contemporary cultural studies under the background of globalization of tourism and cultural institutions of Le Louvre Museum Museum of economic public policy and cultural heritage visitors to observe the value of Le Louvre Museum Shanghai, Zhouzhuang and Suzhou -- a real fairy tale open discipline of ideological state apparatus (AIE) description of the globalization, space with the war found the East "in the context of Chinese art spirit" anxiety and Expectation -- Reading Hu Yichuan's diaries, oil painting and contemporary art life Chinese Political Pop: China contemporary easel painting style and idea transition -- a semiotic interpretation and Reflection on contemporary art overseas speculation and China identity standpoint -- about Chinese contemporary avant garde the dialogue for the frontier art syndrome cry -- Ding Fang art review to a reading of Xu Bing "mumbo-jumbo" -- the significance of the research to create the case I gave the students play stone -- "Shuangbai studio" open education example curatorial frontier "about the line of sight -- the 2007 Guangzhou International Photography Biennale" the Museum of art and photography in the library multiple angle of view of the Gao brothers: "when necessary to fashion and trend A slap in the face "Sinology or art history -- research methods Chinese Art Notes art museum library museum information base
Chapter excerpt

Museum of art and the old and the new museum of contemporary culture in the human to preserve their memory in two ways: text and image. Historical records and other forms of literature, such as literary works, written records of human thought and behavior traces, and art is in the form of images preserves human history. Before photography or video recording, the technical invention, i.e. L9 centuries ago, and even other art forms such as music, dance and drama live, now only with words and images to understand. Art Museum preserved image memory of human beings, in the Museum of fine arts, in accordance with the image works, or style reflects the human visual experience and visual change history, but this visual history can also verify other historical human activities. In fact, in the whole of human history, especially the early human history, the image has been our understanding of the world, to express thoughts and feelings, recording the main intellectual means the events of the past. In order to writing historical records only half of human history, and image recording the words could not record the other half. If we destroy all collections in the gallery, half human memory will stop without damage deposit. Therefore, the Museum of fine arts is "image card history" historical treasures. Because of this, the Museum of fine arts is the main form of the modern museum, museum is born out of the Museum of fine arts. In English, the Museum of Fine Arts in two forms of expression: Art Museum and Art Gallery, named in the art gallery, museum and gallery two words can be used interchangeably, such as American Museum of Contemporary Art in New York called The Museum of Modern Art, and the Tate Britain in London Museum of Contemporary Art The Tate Gallery name. The first worldBe known to all the world's public museum is the Fitch Museum of Art (Uffizi Gallery), which exhibits is rooted in the Medici family art treasures, is open to visitors in sixteenth Century. St. Petersburg Museum of Elmi Tash (Hermitage) -- the world's earliest special art museum, founded in 1764, soon followed by the Le Louvre Museum in France (Mus6e duLouvre). To create this kind of Museum, its purpose is the collection and display of works of art, such as painting, sculpture, printmaking and practical art. Thus, the Museum of modern art museum is the prototype.
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