Ma Jiewei, associate professor, director of Institute of Communication Department of Chinese University Hong Kong School of Journalism and communication. Doctor of philosophy, University of London in communication, master of philosophy. "Ming Pao" columnist. Served with the Hongkong radio, TV, radio and television agencies in asia. Author of "LMF", "underground rave molecular teacher", "Ma left Hongkong memory", "TV culture theory", "television and cultural identity", as well as Culture, Politics and Television in Hong Kong books. The paper in Cultural Studies, International Journal of Cultural Studies, Social Text, Positions, Visual Anthropology, Gazette, Inter - Asia Cultural Studies, Ethnos:Journal ofAnthropology and so on. Was awarded the distinguished teaching award of Chinese University Hong Kong Academy of social sciences.
Preface: Research on city culture front exploration introduction: the Pearl River Delta compressed modernity first part of South China City special chapter to build a modern body: bar factory labor and consumption of the second chapter covered the naked body: intimacy can say and not say third chapter realizes the wedding as: visual culture class character fourth chapter China white-collar, transnational networks and cultural broker the fifth chapter cross-border desire: two TV series shown on modern fantasy, simulation and anxiety of sixth chapter cross-border visual: South Hongkong China and visual cultural interaction between the seventh chapter imagination of Nationhood: cultural territory south of the mainland and Hongkong Chinese eighth chapter nine seven after Hongkong at l the national identity of the second part bar factory site log ninth chapter into the South China: emotional labor chapter fourteenth bar a Hongkong from the perspective of the tenth chapter factory working life eleventh chapter twelfth chapter workers consumption consumption prospect walks into a bar in Chapter thirteenth bar class consumer chapter fifteenth visual ethnography and mixed display conclusion: a method of visual ethnography on experimental reference after Remember @##@ researcher. The book is divided into two parts, the first part of the field investigation on the set based on the field investigation, second part essay. The two part with each other, through participatory research, further south Chinese working class, to the South China local city characteristics as background, based on the detailed description of migrant workers working life each side, to show readers a picture of migrant workers into the city life, work hard to city middle life image, but because of the lack of discourse right facing the confusion of migrant workers and city life. And to the interactive relationship between the production and consumption as the focus, in-depth, comprehensive study on the inner mechanism of city culture, the cultural principle of abstraction and scattered cultural phenomenon, into tangible cultural events and multiple meanings, through an interactive social group of inside and outside, dense mesh structure shows the specific time and space place the interwoven.
Culture @ 2017