Yangzhou drama cultural history

Date of publication:2008-6   Press: Mingguang Social Science Document Press (2008-06)   Author:Mingguang   Pages´╝Ü415  
Summary

Life drama, drama of life. Tang Dynasty poet said, climax of life and wonderful curtain call should be in Yangzhou...... Presented before the readers, which is a systematic development of Yangzhou drama culture of academic works, from which we can see Chinese drama on the stage in Yangzhou has beautiful figure and brilliant appearance, taste the tenacity of life long drama.
Author brief introduction

Mingguang, in 1982 graduated from the Yangzhou Normal College Department of Shanghai Theater Academy in 1985, he Chinese, Professor Chen more, studying drama theory in 1988, received a master's degree. Mainly engaged in the study of drama and local culture of Yangzhou, participated in "Chinese Aesthetics", "dictionary of China Kunju Opera dictionary", "Jiangsu opera chronicles, volume of Yangzhou", "Ba Yi Ji", published on "foreign drama reading and appreciation". Associate professor at the College of Yangzhou University, master's tutor of ancient literature research, President Mei Lanfang of Yangzhou city.
Catalogue of books

The first chapter is introduction Yangzhou drama culture development of the ancient drama development in section second, the development of modern drama festival third drama culture and influence of second chapter of Tang Dynasty to Ming Dynasty drama first quarter performance: Drama in the history of Tang Dynasty prosperous CLS chapter second section five generation army play: "Xu Yang" the Falcon is a special case of the third section of the Yuan Dynasty: Zhu Lianxiu has a play performed immortal chapter third Yangzhou Kunju Opera performances in the early Qing Dynasty Kunqu opera records: first section literati class gathering in Weiyang section second: General Kong Shangren in Yangzhou group, the moon Hyun Opera Festival third in mid Qing Dynasty Kunqu Opera: merchant class sing leading role fourth day light as the Kunqu Opera: feel helpless flower falls to fifth Ming and Qing Dynasties: from a cappella Festival opera sound sixth Festival twentieth Century opera singing: the three generation of Quyou torch inscription fourth chapter Qing Yangzhou flower show second section profile of the development of Yangzhou flower flower of the cavity and the Yangzhou Luan third Qing Dynasty sacrificial drama the fifth chapter studies the Yangzhou drama theory first scattered drama activity records and discussions in section second, in view of drama and drama Third day drama criticism for the fourth day of Li Dou's drama theory in section fifth and section sixth JIAO Xun's drama theory twentieth Century Yangzhou drama theory research of the sixth chapter of ancient writers and works the first Yuan Ming and Qing Dynasties writers, works second day spiritual pursuit of art displays third first successful novel seventh chapter merchant family drama the first section of the class ten test second day scholar of Salt Well Salt River spring third class characteristics and significance of the eighth chapter on the first day of Yangzhou drama "Yang Kun" split second dramatist Kang Hai and Yangzhou mountain cottage: imagination and reconstruction of section third and the "history and evaluation of fourth day Ho Park Water Pavilion heart beat for acting main references postscript
Chapter excerpt

The first chapter is introduction Yangzhou drama culture development of Yangzhou since ancient times is a musical resort, theatre district. According to the cultural relics and records, from ancient times to the end of the Qing Dynasty, each stage Chinese inoculation, growth, mature drama and basic forms have rich show in Yangzhou, as an important part of the indispensable many drama history. Colorful ancient drama activities as Yangzhou won the historical reputation and culture, an important contemporary drama activities as well as the development of the cultural development in Yangzhou, its achievement also represents the height of Yangzhou culture, is a popular column in the National Theatre, in the development of the province. The main form of ancient drama development first ancient drama is the drama. Opera in dancing and singing, music, dance, acrobatics, comedians, rap, stories and art factors. The origin of ancient sacrificial dance when to and pai. In the Warring States period, Yangzhou belongs to Wu Chu culture. "Han? Geography" cloud Chu people "believe the ghost, heavy yinsi". The "life line" Bao Gao has cloud: "Wu Yinsi Chu witch ghost Dao Chu Wu, Yang cross head tail", namely, from the worship of the ghost is pointed out that the long-term impact of Wu Chu culture of Yangzhou until the Qing Dynasty Qing Jiaqing rebuilt; "Yangzhou Chi house," and from the aspects of Yangzhou culture elucidate "Yangzhou human nature light, but is still a ghost to". Back to ancient Yangzhou amusement God and to amuse people worship song and dance performances, which when widespread, but no deposit can not be detailed information. Yangzhou is the Han Dynasty Liu Guangling Wang fiefs, with the advantage, Jiangnan affluent area, economic prosperity, singing and dancing show quite active. The northern and Southern Dynasties poets Bao Zhao in his famous essay, "Wu Fu" remembrance of Han Dynasty in Yangzhou city was "song Blowing day" grand scene, later from the Yangzhou tombs of the Han Dynasty unearthed jade dance figurines, acrobats, singing and dancing show lacquer, is a vivid confirmation. 1979 March Yangzhou unearthed two pieces of Han Dynasty wooden acrobats. First, a large artist, kneeling on the ground, left shoulder, right shoulder, left leg brace in abdomen, right up to paddle shaped beam fairly, face, lips parted, it may tell a story. Secondly, the artist sat, left leg, right hand bend anaphora resembling roar out a song, humorous demeanor. These art statue, is a vivid portrayal of the drama performances. The Three Kingdoms to the northern and Southern Dynasties, Yangzhou border, has been fighting, but from the southern Yanzhou Liu Songnan (center of Yangzhou) provincial governor Xu Zhanzhi building wind Pavilion, the month view, break off, piano room, called scribes, play, play activities has not been broken. Until the Sui Dynasty, Emperor Yang of canals, three to Yangzhou, to bring numerous music singer, Luo Zhonggu, Sheng Hou columns, spit a wonderful dance, music, and made "Jiangdu songs" teach people song played, greatly promote the Yangzhou music and dance activities. He who indulge in pleasures without stop, in Yangzhou, the singer, musician lost folk, offer a dual based art and talent for artistic prosperous Tang Dynasty Yangzhou.
Editor recommends

"Yangzhou drama culture history" in drama art performances, script writing, theoretical research, social impact of a comb, in order to reveal the development process and the basic features, to realize the true surface; deep discussion while taking into account the key parts.
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